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Aay Preston-Myint
re:SOURCE, 2025
Client: South Side Community Art Center
Format: Exhibition catalogue, web/social assets
50th Anniversary brand refresh and auction materials, 2024
Client: SF Camerawork
Format: Print, web/social
Posters for fall exhibition series, 2022
Client: 500 Capp Street Foundation
Format: Web/social, risograph




Emergence, 2022
Client: South Side Community Art Center
Format: Exhibition catalogue, web/social assets
Zodiac Mixtape Club, 2020
Format: Digital album covers
Tomorrow Is Already Here, 2019
Client: Headlands Center for the Arts
Format: Exhibition catalogue 
[cover features original artwork by Miriam Simun]
The Time Is Now!, 2018
Client: Smart Museum of Art
Format: Exhibition catalogue, exhibition design assets, gallery guide
No Otro Lado, 2018
Client: Marissa Johnson Valenzuela, Bantam Records
Format: Vinyl album sleeve
[featuring original artwork by Trevor Paglen]
Treasure: My Black Rupture, 2016
Client: Anna Martine Whitehead, Thread Makes Blanket Books
Format: Print
[featuring original artwork by Suné Woods]
Alternate cover for Lauren Berlant's The Queen of America Goes to Washington City: Essays on Sex and Citizenship, 2015
Client: Summer Forum
Format: Book jacket (screenprint on hand-dyed paper)
No Coast Editions variable branding, 2013
Client: No Coast
Format: Print, ephemera, web/social, clothing
Retro matchbook rebrand, 2011
Client: Chances Dances
Format: Digital assets, ephemera, clothing 
re:SOURCE, 2025
Client: South Side Community Art Center
Format: Exhibition catalogue, web/social assets
50th Anniversary brand refresh and auction materials, 2024
Client: SF Camerawork
Format: Print, web/social
Posters for fall exhibition series, 2022
Client: 500 Capp Street Foundation
Format: Web/social, risograph




Emergence, 2022
Client: South Side Community Art Center
Format: Exhibition catalogue, web/social assets
Zodiac Mixtape Club, 2020
Format: Digital album covers
Tomorrow Is Already Here, 2019
Client: Headlands Center for the Arts
Format: Exhibition catalogue 
[cover features original artwork by Miriam Simun]
The Time Is Now!, 2018
Client: Smart Museum of Art
Format: Exhibition catalogue, exhibition design assets, gallery guide
No Otro Lado, 2018
Client: Marissa Johnson Valenzuela, Bantam Records
Format: Vinyl album sleeve
[featuring original artwork by Trevor Paglen]
Treasure: My Black Rupture, 2016
Client: Anna Martine Whitehead, Thread Makes Blanket Books
Format: Print
[featuring original artwork by Suné Woods]
Alternate cover for Lauren Berlant's The Queen of America Goes to Washington City: Essays on Sex and Citizenship, 2015
Client: Summer Forum
Format: Book jacket (screenprint on hand-dyed paper)
No Coast Editions variable branding, 2013
Client: No Coast
Format: Print, ephemera, web/social, clothing
Retro matchbook rebrand, 2011
Client: Chances Dances
Format: Digital assets, ephemera, clothing